As anyone who saw at least one film at this year’s festival will recall, thirty-five is a very special number (tetrahedral, number of green firms, average winter low, a film gauge, the number of years SIFF has been around … did I miss anything?). Entirely by coincidence, it also the number of feature-length films I watched. As an experiment in compactness and as a mental bookkeeping system, I posted mini-reviews to Twitter along the way. For a full list of my viewing habits, I’ve reposted them after the jump.

Overall, I think that the average of my torn ballot slips would have been somewhere just below the dotted line indicating a “4″, which means that I did well in deciding what to see or that the programmers did an exceptional job in stocking the theaters (probably a bit of each). Of the films I liked best (Lynn Shelton’s compassionate and credible Humpday ; Jamie Johnson’s joyful Sounds Like Teen Spirit ; Doug Pray’s surprisingly elevating Art & Copy) , several will be re-screened at this weekend’s “best of the fest” marathon [siff] or have distribution and are likely to be returning to Seattle in the very near future.

I’m a bit disappointed that Craig Johnson’s True Adolescents didn’t make it into the encore presentations, but I am holding out hope that it finds a distributor to bring it back to town. Across the board, the cast is stellar; the foul-mouthed script is funny and affecting; the direction generously takes on all sorts of comings of age, delayed and otherwise; and the pacific northwest setting looks great. Maybe it’s because I didn’t expect much from the potentially slapsticky premise of “aging indie rocker takes his teen nephew for a hike”, but the results were consistently surprising, a little suspenseful, and consistently believable. Keep your fingers crossed for it!

What’s on your distribution wishlist?

my SIFF in 4369 characters. (note that the first link goes to SIFF, the second to the twitter status update; note also that the first three were faked because I saw them ahead of the festival, before this questionable idea of tweeting my screenings occurred to me.)

• In the Loop : profane political farce hinging around va rious governments’ misunderstandings & misrepresentations of the word “unforeseeable”.
• Modern Life: Only a few minutes feature anything but static shots of conversations at kitchen tables with reticent elders. Oddly mesmerizing
• I Know You Know : you realize quickly that this father is either the most careless spy ever or that something else is terribly wrong.
• Saw Stella at SIFF, mostly overestimating the inevitable awful to break the gauzy spell of not happy adolescence.
• Moon : creepy sci fi on the cheap.
• Rembrandt j’accuse you of being Tim from the Office (and a little crazy)
• Dead Snow : zombies are the new bacon. / Feeling mildly delerious and extra sensitive to the possibility of zombie attacks now that everyone else has reached their destination.
• All Tomorrow’s Parties documentary is a brilliant collage (and challenging recognition game). Now I want to go!
• Pirate for the Sea , an enlightening and unfocused tribute with a lot of whale and seal blood and a little bit of hope.
• City of Borders , smartly-crafted Israel Palestine doc. She found an exceptional menagerie of unicorns in a conflict zone.
• The Hurt Locker , near plotless, character development free, stuffed w/ preferably ignored war horrors, yet astonishingly compelling.
• Sounds Like Teen Spirit : a heartbursting joy. Until the end. Like spellbound with more telegenic subjects and better choreography.
• Like Dandelion Dust : knockout gutwrenching adoption horror movie, with a happily contrived tearjerker ending.
• A Sea Change : frightened by the NewYorker, retiree journeys to pen a letter explaining the unfathomable ocean crisis to his grandson.
• Welcome : heartbroken instructor trains an Iraqi Kurd refugee to swim across the English Channel for love.
• Art & Copy : reverential doc about advertising as high art told through interviews with creatives, who are as magnetic as their ads.
• William Kunstler: Disturbing the Universe . Daughters’ outstanding tribute to their lawyer father & a history of American revolution.
• The Paranoids : Argentine slackercore, stumbles along pleasantly uneventful and ends jarringly disjointed. no lo comprendo.
• Humpday : two straight guys decide to sleep together for art. Lynn Shelton’s film is squirmily suspenseful, funny, and believable.
• Il Divo : feverish Italian political biopic; could’ve traded some showy camerawork for just a little more narrtive coherence.
• True Adolescents : on the perils of having an indie rocker as a wilderness guide. Harrowing, affecting, authentic, and oh so funny.
• A Woman Under the Influence : the kids are the only unlikely beacon of sanity in this hellish nuthouse. Left me feeling unhinged.
• OSS 117: Cairo Nest of Spies . Goofy french spy comedy under the moon at the beach huddled in sleeping bags.
• The Karamazovs : czechs stage a beautiful Dostoyevsky production in a steel mill; haunted by a janitor’s tragedy, dancers, and puppets.
• At West of Pluto : naturalistic portrait gently flutters through a day & night of Quebecois teen life, parties, & love in an ice rink.
• Manhole Children : So bleak & miserable, in this Japanese documentary Ulan Bator’s impoverished seem less like fact than cruel fiction.
• Cold Souls : Paul Giamatti offloads his heavy soul. Once he realizes his folly, it’s been lifted by Russians. Metaphysical laughs!
• (500) Days of Summer : mutual Smiths appreciation may not be solid relationship foundation, but works as a spark for a cute romcom.
• The Girl from Monaco : bombshell weathergirl sexes up repressed lawyer’s trial/visit. Hints of intrigue, comedy, & Bodyguard bromance.
• Give Me Your Hand : twin French brothers have a dialogue deprived “erotic” walk to Spain. Too nappy to be sure what happened.
• Adam : Romance is even harder with Asperger’s, but with such an adorable couple you hope for a fairy tale ending. Entirely lovely.
• the Bear : No Age turned what might have been a confusingly frivolous animal buddy pic into something strangely ominous and moving.
• Every Little Step : a movie about casting a revival of a musical about casting a broadway production. Heartfelt, engaging, & fun!
• 50 Dead Men Walking : Gripping thriller. Ben Kingsley handles an IRA double agent through webs of danger, deceit, & family obligations.
• OSS 117: Lost in Rio : goofy French spy returns, complete with Nazis, buffoonery, and crocodiles.

Every year, Fool Serious, the unofficial unorganization of SIFF passholders, undertakes their own internal balloting process to find out which films were the most beloved among the most fanatical of festival-loving cinephiles. Below, you’ll find the top results from the two tallies. It’s pretty interesting to compare and contrast to see which movies wound up among both the hardest of hard core and the broader slice of attendees. It’s a good guide for when you’re scoping out new releases and netflix (or library) rental queues.

While we’re on the topic of SIFF favorites, the festival is giving us one last chance to catch some of this year’s winners and top sellers before they head into their much-deserved summer break. From Friday to Sunday, they’ll be hosting a weekend bonanza featuring the best of the fest [siff].
On Friday, they’ll show best documentary talhotblond, (4:30), closing gala OSS 117: Lost in Rio (7:00), Lynn Shelton’s amazing Humpday (9:00). Saturday includes a collection of the best shorts (11:00 am), New Directors Showcase grand jury prize-winner the Other Bank (1:30), mind-boggling documentary Rembrandt’s J’Accuse (4:00), all-star smash Shrink (6:30), Golden Space Needle winning comedy Black Dynamite (9:30). Then on Sunday, another collection of shorts (11:00), followed by audience favorite dolphin documentary The Cove (1:30), mockumentary favorite Morris: A Life With Bells On (3:30), Swedish pool pic Swimsuit Issue (6:00), and then David Russo’s The Immaculate Conception of Little Dizzle. All of the screenings play at SIFF Cinema; tickets run $10 per screening or $60 to see them all ($8/$50 for members).

What films made it to the top (or bottom) of your SIFF lists?

Hello friends and greetings from 100 feet above Seattle Center. It’s the final day of SIFF, and remarkably, everyone is still standing. By now, you’ve voted more than 60,000 times and surpassed attendance goals despite the rain free weather that graced the 25 day festival.

When all of the ballots were tallied, your favorite narrative feature was BLACK DYNAMITE and your favorite documentary was THE COVE. These and several other awards for the 35th Seattle International Film Festival were presented at an emotion-packed brunch this morning at the Space Needle, complete with mimosas, glass artwork, and a few great acceptance speeches (most notably, the kids from MY SUICIDE who enlivened the 35 Club party claiming their Youth Jury Award for Best FutureWave Feature fresh from a night spent in the park).

Stay tuned … once I get back to a real computer (with copy and pasting powers) I’ll update this post with the full list of awardees.

Best Director: Kathryn Bigelow, for The Hurt Locker (USA, 2008)
Best Actor: Sam Rockwell for Moon (United Kingdom, 2009)
Best Actress: Yolande Moreau for Séraphine (France/Belgium, 2008)Best Short Film: Wallace and Gromit: A Matter of Loaf and Death, directed by Nick Park, (UK)
Lena Sharpe Award for Persistence of Vision: Sweet Crude, directed by Sandy Cioffi (USA, 2008)

Grand Jury Prize Winners

New Directors Showcase: The Other Bank, directed by George Ovashvili (Georgia/Kazakhstan, 2009)Documentary (grand): talhotblond, directed by Barbara Schroeder (USA, 2009)
Documentry (special): Manhole Children, directed by Yoshio Harada (Japan, 2008)
Short Film (Narrative/Grand): Short Term 12, directed by Destin Daniel Cretton, USA
Short Film (Narrative/special): Lowland Fell, directed by Michael Kinirons, Ireland; Next Floor, directed by Denis Villeuneuve, Canada
Short Film (Animation/Grand ): Photograph of Jesus, directed by Laurie Hill, United Kingdom
Short Film (Documentary/Grand ): The Herd, directed by Ken Wardrop, Ireland

WaveMaker Award for Excellence in Youth Filmmaking:  A Generation of Consolidation, directed by Samantha Muilenberg

WaveMaker (Special): If U Want 2 Get Technical, directed by Riaebia Robinson

FutureWave Shorts Audience Award: A Generation of Consolidation, directed by Samantha Muilenberg

SIFF 2009 Youth Jury Award for Best FutureWave Feature: My Suicide, directed by David Lee Miller.
Youth Jury (Special): Sounds Like Teen Spirit, directed by Jamie J. Johnson

The full listing of awards, jury statements, and worthy runners up can be found online. [siff]

the bear, still courtesy siff. (see this!)

Friends, it seems that we are almost at the end of another installation of the Seattle International Film Festival; hope you’ve all made it through! Suriving on little sunlight and lots of concession treats isn’t as glamourous as you’d think, but the rich tapestry of films make it worth the effort. So, some guidance from us, on movies to consider to get the last delicious drops out of SIFF’s final weekend:

No Age performs the Bear [siff] : So this is a buddy pic starring real live trained bears in the Canadian Rockies. The description leads me to believe that it’s about an orphaned cub and her grown-up, possibly gay, adoptive protector on the run from the ever-present hunters who occasionally take a break to get stoned out of their mind on mushrooms. Of course, it’s made by the French (I still regret not seeing the original version of March of the Penguins). As if the existence of this film isn’t amazing enough, tonight’s screenings will feature an original score performed by No Age, the art punk duo from LA, whose Nouns electrified last summer with the youthful optimism in the face inescapable sunlight and sweltering pavement. These dialogs between modern musicians and classic films are among the more exciting and unique productions that occur at SIFF; do your best to make it to one of these screenings. [josh] June 12, 7:00 PM & 9:30 pm (The Triple Door)

Adam [siff] : Explores the tricky issues in romancing an electrical engineer with Asperger syndrome in New York City; starring Hugh Dancy in the title role and Rose Byrne as his love interest.  [josh] June 12, 7:00 pm; June 13, 1:15 pm (Uptown)

Kimjongilia [siff] : To us, Kim Jong Il is zany dictator whose ambitions to send a nuclear weapon in the general direction of Alaska seems a little less terrifying than it should. This documentary, through the harrowing stories of thirteen escapees, reveals the bleak truth of life in North Korea under his reign. The producer and director are expected to attend; so expect thoughtful discussion to follow. [josh] June 12, 6:30 pm; June 13, 1:30 pm. (Pacific Place)

Talhotblond [siff] : A creepy true story of obsession and the internet in which “the lovers never meet face to face, but one person ends up dead, another goes to prison, and the families of all three are changed forever.” I’m almost certain that I heard this story on a show like This American Life, either way, this documentary sounds relentlessly fascinating. [josh] June 12, 9:15 pm; June 13, 4:00 pm (Pacific Place)

Once Upon a Time in the West [siff] : A gang of gunfighters attempt to steal land valuable to the railroad company from a widow who lives alone and only has two drifters to help her fight off the thugs who will do anything they can to defeat her. Slow, brooding, and sinister with Henry Ford cast against type as the villian, this classic Western is worth seeing any time, doubly so when you can see it on the big screen. [zee] June 13, 1:30 pm (Harvard Exit)

Amreeka [siff] : Muna and her teenaged son Fadi win a US Green Card lottery and leave Palestine to settle in Chicago with Muna’s sister and her husband. Adjustment is tough for them, made worse by their moving in just as the US goes to war with Iraq, and Muna’s years of skilled job experience mean nothing in her new land where she struggles to find a job. In the meantime, the usual stress of being a teen added to this massive change in his life leave Fadi struggling to find himself. [zee] June 13, 6:30 pm (Pacific Place); June 14, 4:00 pm (Pacific Place)

Every Little Step [siff] : Just like A Chorus Line itself, this documentary follows the casting for the 2006 Broadway revival of the musical about a musical. The meta doesn’t stop there, as the filmmakers also bring in archival footage from the staging of the original production. [josh] June 13, 7:00 pm (Egyptian)

Hachi [siff] : Richard Gere, a ridiculously cute dog, and a sad and sweet story of enduring loyalty that changes the lives of everyone it touches. Yes, of course it’s cloyingly sentimental and designed to manipulate you into tears and sniffling, but everyone needs a good cry now and again. [zee] June 13, 6:30 pm (Cinerama); June 14, noon (Cinerama)

Il Divo [siff] : Chatting with other SIFF addicts at the “SIFF Lounge” at Boom Noodle, we all agreed that this documentary about former Italian Prime Minister Giulio Andreotti was one of the most fun flicks we had seen at the festival. The political intrigue, backroom deals, potential criminal activities, and murderous mafia subplots are so thick that it may require a lifetime in Italy to absorb, but the direction is so assured, the characters are so colorful, and the performances are so compelling that the details become secondary. [josh] June 13, 9:15 pm (Cinerama)

Kaifeck Murder [siff] : A photographer and his young son travel the German countryside together and stop in Kaifeck, a small town with brutal mass murder in its past just in time for the annual Twelve Nights festivals during which some of the celebrants wear scary Perchten costumes in honor of ancient German folklore goddess Perchta. The photographer becomes obsessed with the story of the murder but no one in town will talk to him about it so he decides to investigate himself. This is when things get really weird. [zee] June 13, 10:00 pm (Harvard Exit); June 14, 4:30 pm (Harvard Exit)

Manhole Children [siff] : So bleak & miserable, in this Japanese documentary Ulan Bator’s impoverished seem less like fact than cruel fiction. Admittedly difficult to watch and a bit too long, but the surprising intersections of harsh lives exposed by this Japanese documentary are like few things I’d ever seen. [josh] June 14, 9:00 pm (SIFF Cinema)

Marcello Marcello [siff] : This Swiss film about a fictional island where young men woo eighteen-year-old girls on their birthdays is back for a fourth screening by popular demand as one of the final screenings of the festival. [josh] June 14, 9:30 pm. (Cinerama)

OSS 117: Lost in Rio [siff] : After twenty-five days of intensive festivaling, why not bid SIFF adieu with a farcical French spy uncovering and undertaking shenanigans in 1960s Rio? The screening is followed by a big party at the Pan Pacific, complete with food, cocktails, live music, and plenty of exhausted filmgoers and programmers. [josh] June 14, 6:30 pm (Cinerama)

watch out! francis ford coppola and vincent gallo are coming to town. (tetro still courtesy siff)

Today SIFF enters its third and final week and by now the dazed looks and impulsive habits are becoming more and more apparent among festivalgoers as they (we) balance movie fatigue and a desire to catch as many films as possible before or passes turn to pumpkins. Here, then, are a few to consider as you make your way through the weekday screening options.

On the way, do take notice of just how great the trailers and bumpers before the film are. They’re cute enough on first viewing, but when you’re still taking delight in them after a dozen or two screenings and trying to figure out where all of the sound clips are from, you know that the creative teams at Wong Doody, Digital Kitchen, and Oh Hello did something right in crafting these exquisite contraptions that set the mood for the festival.

Cold Souls [siff] : Paul Giamatti gets the Eternal Sunshine for the Being John Malkovitch treatment when he’s inspired by a New Yorker article to turn over ninety-five percent of his soul to a science fiction creation. The psychic weight loss relieves his angst but kills his acting. [josh] June 8, 7:00 pm (Harvard Exit); June 10, 4:30 pm (Harvard Exit).

The Square [siff] : the twitters are aflame with praise for this Australian thriller, likening the illustrated tale of the dark side of karma to a less kind and gentle intense Coen Brothers flick. [josh] June 8, 4:30. (Uptown)

Poppy Shakespeare [siff] : “N” is happy being a long-term day patient of a London psychiatric hospital. She’s befuddled when a new patient shows up on the ward insisting that she’s not insane and demanding to be released from care, but despite their differences, “N” and Poppy become close friends as “N” helps Poppy in her attempt to prove her sanity to an institution determined to keep her crazy for as long as it suits them. While anyone can appreciate the story of their growing friendship and the battle they wage, people familiar with mental illness will be especially grateful for the respectful, realistic depictions of people with mental illness. [zee] June 9, 4:30 pm (Harvard Exit); June 14, 9:30 pm (Harvard Exit)

(500) Days of Summer [siff] : Office drones meet cute over mutual soundtrack appreciation. One of them doesn’t believe in love (a common thread in this season’s SIFF romantic comedies), the other does. The title tells you that the clock is running on their relationship, which is told in shuffled vignettes. Summer, Joseph Gordon-Levitt’s love-interest mentioned in the title, is played by Zooey Deschanel, whose overwhelming appeal might make save this from the cloying cuteness of its premise. Particularly if she sings. [josh] June 8, 7:00 pm (Egyptian); June 9, 4:30 pm (Egyptian)

Don’t Let Me Drown [siff] : When asked at the press launch to recommend one film from the festival, the artistic director picked this love story of two latino families facing love and loss in the aftermath of the 2001 terrorist attacks in New York City. Interesting, if only for the ability to glimpse into the programming instincts of Carl Spence! [josh] June 9, 7:00 pm (Admiral); June 11, 7:00 pm (Pacific Place).
Krabat [siff] : Orphaned teenager Krabat works in a mill in 17th century Germany for a master who practices the dark arts. For the first time in his life Krabat gets a taste of what it’s like to be powerful, but he’s forced to choose between loyalty to his best friend or continuing his pursuit of a more comfortable life. In this dark fairy tale, it’s not an easy decision. [zee] June 9, 9:30 pm (Admiral): June 11, 9:15 pm (Uptown); June 12, 4:00 pm (Uptown)

Tetro [siff] : Vincent Gallo has the title role in Francis Ford Coppola’s first script since 1974. Among the big names, early reviews single out Alden Ehrenreich, who plays the little brother who tries to understand older, bohemian Gallo in Argentina. For an extra $125, join the director for an intimate pre-screening reception. [josh] June 10, 7:00 pm (Egyptian)

The Spy and the Sparrow [siff] : A former secret agent retires to Seattle twenty-six years after an assignment in East Berlin goes terribly wrong. Thomas Sparrow insists he remembers nothing of those past events, but neither the Russian mobster nor the pair of CIA operatives following him believes this. In the meantime, he attempts to reconnect with his troubled daughter whose psychiatrist is another former spook. Locally filmed and produced. [zee] June 10, 9:00 pm (SIFF Cinema); June 13, 11:00 am (SIFF Cinema)

My Suicide [siff] : When seventeen-year-old Archie announces that his final school project will be his videotaped suicide pandemonium erupts at his school. Teachers freak out and try to stop him; students divide themselves into camps that both scorn and idolize him. [zee] June 10, 9:30 pm (Pacific Place); June 11, 4:30 pm (Pacific Place)

Give Me Your Hand [siff] : The interactive online SIFFter and truly wonderful iPhone application cooked up by POP invite the whiling away of small moments by flicking through genres. If the filters used ANDs instead of ORs, those looking for French, erotic, coming of age, gay, road movies, featuring twins and funerals would look no further than this entry which finds brothers walking from France to Spain to mourn their mother. This might be terrible, but give them points for covering so many bases. [josh] June 11, 9:30 (Egyptian); June 14, 4:45 pm (Egyptian)

Afghan Star [siff] : Even in Afghanistan, devasted by years of war and Taliban rule, people really, really want to be pop stars. More than 2.000 people audition for a shot at stardom in a country where viewers voting by mobile phone are having their very first encounter with democracy and where a woman dancing on stage threatens both the future of the show and her very own safety. [zee] June 11, 6:30 pm (SIFF Cinema); June 13, 11:00 am (SIFF Cinema)

watch these dudes contemplate doing it on film. and then party with them tonight. (humpday still, courtesy siff)

Why hello there SIFFers, we’ve all survived and are ready to enter our third weekend of the fantastic-so-far Seattle International Film Festival, where weekends offer all the more hours to overdose on moviegoing with plenty of film partying thrown in for good measure. This weekend also marks the spread of the festival into West Seattle, where the neighborhood will be welcoming the festival to the Admiral Theater and their side of the bridge with a party at Skylark. [wsb].

Let SIFF be your air conditioner and sunscreen; in addition to repeat screenings for previously-mentioned films [mb] here are some of the things we are most excited about seeing over the next few days:

Humpday [siff (gala)]: Lynn Shelton, no stranger to the mumblecore sex comedy [nerve] and recipient of cake and cash for her genius filmmaking, brings two straight guys together in a scheme to film a gay entry for the Stranger’s annual porn film festival. All sorts of male bonding and awkwardness ensue. A gala event follows the Friday night screening, allowing you a chance to rub elbows with the stars and production team over drinks and noodles from Boom while pretending that you didn’t just see them contemplating getting naked. [josh] June 5, 7:00 pm (Egyptian/gala); June 7, 1:30 pm (Egyptian [siff])

Four Boxes [siff] : Two men and a woman move into a dead guy’s house to photograph his possessions to sell on E-bay. They discover that the dead guy was a fan of a voyeur-website, a site they keep watching themselves. After they discover what looks like a murderous plot by the creepy guy the site’s cameras focus on, their already-tense situation starts getting intense, especially as the action appears to be closer than they’d like. Shades of Blair Witch but without the annoying camera shake. I found the ending a little annoying but the story kept me wanting to know what happens next all the way up to then. [zee] June 5, 9:30 pm (SIFF Cinema); June 7, 1:30 pm (SIFF Cinema)

OSS 177: Cairo, Nest of Spies [siff] : Prepare yourself for the sequel, which screens at the SIFF closing night gala, by watching the Golden Space Needle-winning original comedy spy thriller. Note, second screening is outdoors and by donation (a.k.a., approximately free). [josh] June 5, 9:30 pm (Uptown); June 6, 9:00 pm (Juanita Beach Park).

Il Divo [siff] : Director Paolo Sorrentino dramatic telling of seven term Italian Prime Minister Giulio Andreotti’s life of political entanglements and comebacks. When it screened at Cannes last year Variety said: “An intensely political film so wildly inventive and witty that it will become a touchstone for years to come … This is a brave, bold film whose chances of international success are relatively small, but whose ramifications are huge.” [#] Thanks to SIFF, you have a chance to soak up the splendor. [josh] June 6, 11 am (Egyptian); June 13, 9:15 (Cinerama)

A Woman Under the Influence [siff] : As part of its archival presentations, SIFF is showing a recently restored print of John Cassavetes’s 1974 film starring Gena Rowlands and Peter Falk that marked the dawn of the independent film movement and chronicled a wife’s growing mental instability. [josh] June 6, 4 pm (SIFF Cinema)

True Adolescents [siff] : If you missed the Thursday night screening of this made-in-Seattle comedy-drama, here’s your second chance to see this great film and make it a Mark Duplass double-feature (he’s one of the dudes in Humpday, too). A Saturday night party at the Comet features the Blakes performing as the fictional band The Effort. [zee] June 6, 1:30 pm (The Egyptian)

World’s Greatest Dad [siff] : imagine the trainwreck that is Robin Williams and Bobcat Goldwait shooting a film in Seattle. You don’t have to speculate because that exact film is screening this weekend. Maybe it’s amazing? The blurb promises that it “couldn’t diverge any further from audience expectations”. June 6, 6:30 pm (Egyptian); June 7, 4:00 pm (Egyptian).

Little Joe [siff] : “Little Joe never once gave it away/everybody had to pay and pay” sang Lou Reed in his classic “Walk on the Wild Side” but Joe Dallesandro wasn’t actually a hustler. A personable and attractive young man, he’s best-known for his iconic appearances, usually naked, in several Warhol films directed by Paul Morrissey. Years down the line, he’s gregarious and well-spoken, telling his own history and talking about the ins and outs of the New York art scene in a thoroughly engaging style aided and abetted by a ton of archival footage that would make the movie worth watching all on its own. Joe will appear at both screenings of the documentary. [zee] June 6, 7:15 pm (SIFF Cinema), June 7, 4:00 pm (SIFF Cinema)

the Karamazovs [siff] : A last chance to see this story of an acting troupe from Prague staging a Dostoyevsky production in a Polish steel mill. It’s been earning plenty of praise during the festival, with mild warnings about its highbrow tone, but what else are film festivals for if not a bit of snootery? [josh] June 7, 11 am (Harvard Exit)

Alisa’s Birthday [siff] : Alisa is a ten-year old girl who lives in a future Moscow where her father is a space zoologist and family friend Uncle Gromozeka is a blue-skinned alien from another planet. She’s invited along on an expedition to a dead planet and then sent back in time with the haughty Professor R-r-r (who just so happens to look like a one-eyed kitten) with a potential cure for the virus that wiped out all living beings. Will Alisa and R-r-r complete their mission in time to save the planet from certain destruction and still make it back to the new and improved future? Bright, lively, and fun with appealing characters, charming art, and an interesting, suspenseful story, Alisa’s Birthday is equally appealing to kids and adults–anyone who enjoys a good story with bright, stylish art will enjoy it. In Russian with English subtitles. Subtitles will be read loud at the June 7 and June 14 screenings. [zee] June 7, 11:00 am (Kirkland); June 9, 7:00 pm (Pacific Place); June 14, 11:00 am (Pacific Place)

Sounds Like Teen Spirit : a popumentary [siff ] : It’s quite possibly worth a bus ride to the eastside to catch this documentary that follows four contestants in the Eurovision Junior songwriting competition. The film is a heartbursting mix of all the joy and sorrow of ambitious artistic child performers. So far, it ranks among my favorites from this year’s festival. If you liked Spellbound and thought that all that it needed was a more international angle and better choreography, than you’re bound to fall in love with this one, too. I felt a little crushed we find out who wins the top prize, but the results are presented as almost an afterthought to the journey; so I suppose is part of the point. [josh] June 7, 4:00 pm (Kirkland).

The Necessities of Life [siff] : Tivii is an Inuit man from Baffin Island sent to recover from tuberculosis in a Quebec City sanitarium. Alienated by culture shock and isolated by language barriers, Tivii languishes in despair until a kind-hearted nurse orchestrates the arrival of a young Inuit patient who can translate for the older man. As Tivii and Kaki recover from their illness, the older man refreshes the younger’s knowledge of their shared cultural history. [zee] June 7, 4:00 pm (Harvard Exit); June 8, 4:15 pm

Rain [siff] : Life in the Bahamas isn’t just about lounging on the beach drinking fruity tropical concoctions – real life for many of its residents is troubled and bleak. A teenager raised on a small rural island by her grandmother is forced into Nassau to meet the desperately poor, trick-turning drug addict mother she’s never known. Determined to find a way out of the mean streets, Rain takes up running. Her gift at the sport could be her salvation, but only if she can survive her very rough life. [zee] June 7, 9:00 pm (Kirkland Performance Center); June 12, 4:30 pm and June 13, 7:00 pm (SIFF Cinema)

True Adolescents is both a comedy and a drama, a comic look at the dorky guy who doesn’t know that he really isn’t cool and also a thoughtful meditation on growing up and the complicated struggle to shed childhood for the sake of adulthood. True Adolescents makes us laugh at the guy stuck in the middle of a childhood gone so stale it’s practically a fossile but it’s never mean-spirited about it.

Lead character Sam seems like a happy-go-lucky sort. On some level he’s aware that he’s not exactly the brightest and the best, and yet, is his life that horrible, really? Oh, sure, he’s a go-nowhere wanna be edging towards never-been whose certainty that fame and fortune are just around the corner doesn’t even convince the unsophisticated teens who end up in his care. Sam spends his nights singing in a band (they play the Funhouse and the Comet and it’s neat to see those places on-screen) and his days scrounging off the goodwill of people who fall for his genial, undemanding charm even when its against their btter judgement, but he’s happy, isn’t he? Even Sam isn’t always sure of that. Mark Duplass plays Sam with a perfect mix of cocksure charisma and sad sack insecurity, expertly illustrating his childishness without alienating an audience that has to at least kind of like the guy in order to root for his success when an urgent situation demands he finally navigate the bridge from child to adult overnight.

The characters that surround Sam are strong and well-played as well. Melissa Leo is luminous as sympathetic aunt Sharon who takes Sam in yet again when grown-up life has gone over his head; even frazzled and frustrated, she manages to radiate such warm-hearted compassion that the screen fairly glows every time she’s on camera. Bret Loehr, as Sam’s cousin Oliver, and Carr Thompson, as Oliver’s best friend Jake shine in their roles, making their characters credible and likeable, even when they’re doing that whole smart-aleck teenaged boy thing. Their genuine adolescence makes Sam’s act of never growing up stand out all the more as a limited and limiting way of life; Oliver and Jake sometimes put on a jaded front, but the world still holds wonder and chance to grow for them and although they’re years and years younger than Sam, they seem so much closer to actual manhood than he does.

The settings in the film deserve special notice: the scenes in Seattle are stylish and cool and vibrant and real. The scenes outside the city show just how beautiful the countryside is up here and how amazing it is that we live in a big steel and glass city surrounded by so much beautiful green, blue, and brown. When Johnson said it’s a love letter to Washington, he’s not kidding.

Finally, the soundtrack deserves notice, too. Sam’s band, The Effort, is portrayed by local favorites The Blakes and the artists represented in the movie’s music also includes The Black Keys, The F**king Eagles, the Sonics and more. Checking out the music page gets you the whole list and links to more info on the bands.

True Adolescents screens at SIFF June 4 at 9:30 and and June 6 at 1:30 at the Egyptian.

I invited Johnson to share a bit about his movie and he was happy to oblige; click the jump read on.

Craig Johnson, writer/director of True Adolescents on his film:

Sam wasn’t directly based on one specific person, but rather a conglomeration of people–friends of mine from both Seattle and New York. I also channeled my own anxieties into the character. I wrote it as I was turning 30 and leaving film school and feeling uncertain about my future as an indie-filmmaker, just as Sam is uncertain about his future as an indie-rocker. Hopefully I don’t have my head as far up my ass as he does, though. But I know Sam is a recognizable guy in Seattle-I can’t tell you how many Seattle-ites read the script and said either “I know that guy”, “I dated that guy” or “I AM that guy”. One of the things I like most about him is he gets so stressed out being laid-back. Kind of an uptight slacker. That’s a definite Seattle characteristic.

The story really developed from the characters–or a character dynamic, really, between an adult who behaved more like a teenager and a teenager who behaved more like an adult. The very first thing I wrote was a scene of a guy and kid camping and the guy was freaking out about something and the kid was keeping his cool. That dynamic stayed, and the movie grew around it. It also became more about the character of Sam and his “coming-of-age”. I like to call it the coming-of-age of a 34 year old rocker.

When we were developing the film, I watched the Duplass Bros. film “The Puffy Chair” as an example of super lo-fi filmmaking, thinking we would be making “True Adolescents” on a similar scale. My producer, Thomas Woodrow, told me to pay attention to Mark Duplass, the lead actor, because he might be right for the role of Sam. I remember pausing the film about 20 minutes in and calling Thomas because I thought Mark Duplass was PERFECT. Turns out Thomas had met Mark before, so we were able to get in touch with him and get him the script. There was a moment when were thinking about other actors before we knew if Mark could do it, but once Mark said he was in, there was no looking back.

Working with Mark was awesome, plain and simple. He’s a filmmaker himself so he understands the directing process and as an actor he has an incredible spontaneity which fits my directing style (which is loose and actor-focused). We wanted the film to feel authentic and “true” and Mark’s performance has a natural effortless-ness that adds to that feeling.

The rest of the cast came together through casting directors in LA and a local casting effort in Seattle. We found Bret Loehr and Carr Thompson (our two teens) and Melissa Leo through Meg Mormon and Sunday Boling, our casting directors in LA. We saw a lot of teens, both in Seattle and in LA, but ultimately it came down to Bret and Carr because they both had a loose and natural vibe to them–they felt like actual 14 year old kids, rather than some weird Toothpaste Commercial version of a teen. They were also actually 14 and 15 years old, respectively, not two 20 -year olds trying to play a 14-year-old which always feels a little weird to me. And both teens got into improving and riffing off the lines with Mark–to this day some of my favorite moments in the film are spontaneous, ad-libbed bits between Mark and the boys.

Melissa Leo was a coup. We offered her the part and she agreed to do it. She brought so much more to the part than I had envisioned–she made me wish I had written a bigger part for her. And, of course, her Oscar nomination this year for “Frozen River” knocked us out.

I want to say too that I LOVE our hippies, Linas Phillips and Davie-Blue. Linas and Davie-Blue we found in Seattle. They knew each other and immediately when I saw them together, their tone-perfect art-hippie spaciness blew my mind. Linas is great documentary filmmaker by the way–he made the doc “Walking To Werner” which everyone should see.

From the beginning, this story was rooted in Seattle and the Pacific Northwest. I grew up in Bellingham, went to college at UW and lived in Seattle for 8 years. I definitely wanted to capture the “vibe” of Seattle and Washington, however you define that–the music scene, the ex-hippies who are now single moms in the suburbs, the contrast between the cramped bars and the expanse of nature which is a few hours away, the mysterious beauty of the Olympic Peninsula. I wanted it to feel real and tried not to stretch things too much. Though I’m sure some locals will say “hey! that’s not really the interior of Cafe Vita!” We cheat things a little here and there.

Obviously music is crucial to the film. We hooked up early on with our music supervisor, Sandy Wilson, who works for local record label Light In the Attic. I knew I wanted to cast an actual local band as “The Effort” and Sandy got us in touch with The Blakes. My God, I remember meeting them at The Twilight Exit and it was like meeting the Stones circa 1966. I felt like the biggest nerd on planet Earth. They were awesome, and totally up for being in the film. I gave Snow Keim a few lines and he’s an amazing, natural actor! If the band thing doesn’t work out he should go to Hollywood. Many of the bands on the soundtrack are local, up-and-coming acts: Mono In VCF, Wallpaper, The F**king Eagles, Hazelwood Motel, to name a few. A lot of them are friends of Sandy. He knows everyone in the Seattle music scene. I think having these bands–in addition to some local throwbacks like “The Sonics”–makes the musical world feel more authentic to the actual Seattle scene, Though “authenticity” is a tough thing to come by in the rock world, I think we kicked ass in the music department.

After SIFF, we’ll be screening at a few other festivals and then our hope is to set up distribution this summer. We premiered in March at SXSW and had a incredible reception. A lot of companies are interested in the film and we’re feeling optimistic about distribution.

Ahoy, friends. SIFF enters its second full week today with a whole lot of features from the Northwest Connections program. For me, at least, the festival has started out better than any I can remember. Along the way I’ve been posting SMS-sized reviews [twitter]; and looking back on my list I haven’t even been tempted to tear the ballot anywhere south of 3. In fact, many have left me tearing a spot somewhere between 4 and 5 to leave it to the tireless volunteers to decide whether to round up or down.

In addition to being the halfway point, this twelfth day of the festival also marks the opening of an eastside venue at the Kirkland Performance Center. There, several previously screened films will get repeat showing to either save fans a trip across the lake or tempt others to venture eastward to catch some buzzy films that they missed, including several of our recommendations for last week. [mb]

Like Dandelion Dust [siff] : Based on a novel of the same title by Karen Kingsbury, this is a knockout gutwrenching adoption horror movie, with a happily contrived tearjerker ending. though I admit they never won me to their side,  Mira Sorvino and Barry Pepper give the standout performances as the working-class biological parents who attempt to reclaim their son from his happy upper class home. Passions run high, as Sunday’s Q&A was lively, filled with lobbying, a visit from the author and her family, and nearly taken hostage by a well-meaning advocate for open adoptions. [josh] June 1, 7:00 pm (Kirkland)

The Strength of Water [siff] : Even death can’t completely sever family ties in this intense drama enriched by its immersion in Maori culture as practiced in modern small-town New Zealand. Ten-year old twins center the story, when tragedy strikes unexpectedly, everyone around them is affected. [zee] June 1, 9:30 pm (Harvard Exit); June 8, 4:30 pm (Admiral)

Welcome [siff] : Dramatizes the experience of immigrants attempting to make their way into England through the story of a Kurdish teen making his way across Europe to find his recently-emigrated girlfriend on the other side of the English Channel. But before he can make the crossing, he’ll need to strengthen his swimming skills, which is where the friendly former lifeguard comes in. [josh] June 2, 9:15 pm (Harvard Exit)

Zombies of Mass Destruction [siff] : Part of the Northwest Connections series, this film focuses on a small Washington town where progressive attitudes seem to have passed by. A son returns home with his partner, intending to come out, and a daughter returns home to help in her father’s restaurant. This would be your standard ‘don’t see eye to eye’ movie if it weren’t for the zombie virus outbreak that occurs. In order to stay alive, everyone must put aside their differences and work together. [patricia] June 2, 9:15pm (SIFF Cinema); June 4, 10:00 pm (Kirkland)

William Kuntsler: Disturbing the Universe [siff] : Depending on your perspective, you might see William Kunstler as a hero or a villian or maybe a little of both. The flamboyant civil rights figure who turned courtrooms into theater to push an agenda of equal rights for all turned into an egocentric attention hound who took any case that would keep him in the limelight. His daughters process their feelings about him in this interesting documentary that takes a complex look at a complex man. [zee] June 2, 4:30 pm (SIFF Cinema); June 4, 7:00 pm (SIFF Cinema)

Animated Enemies with James Forsher [siff] : Propaganda films have been a tool of politicans since the Spanish American war. Cartoons attacking the enemy were particularly popular during the World Wars and WWII saw a bonanza of animated appeals aimed at encouraging hatred of the enemies of the day. Local film historian Dr. James Forsher of Seattle University curates a selection of these vintage pieces. Appealing to history fans of all sorts. [zee] June 2, 7:00 pm (SIFF Cinema)

The Whole Truth [siff] : Filmed in various locations around Seattle, this “screwball comedy” starring Law & Order’s last-minute lesbian as an acting coach who makes shady defendants appealing sees its world premiere at SIFF. Hijinks ensue when she finds out that one of her clients is on the lamb with a lust for blood. [josh] June 2, 9:30 pm (Pacific Place); June 3, 4:30 pm (Pacific Place).

Art and Copy [siff] : Prior to the 1960’s, advertising was a staid industry; Madison Avenue executives designed campaigns that were all variations on the same limited themes, about as exciting as a grey flannel suit. That all changed when groups of rebellious creative types, bored with the same old thing, came along and changed the rules with exciting, unusual ad campaigns that didn’t just sell products but actually changed lives. An absorbing look at just how powerful creative work can be. [zee] June 3, 7:15 pm (Pacific Place); June 5, 1:15 pm (Pacific Place)

Sweet Crude [siff] : Seattle filmmakers risked their freedom to make this documentary about the Nigerian oil industry; they returned with this story of corporate greed and environmental devastation. June 3, 7:00 pm (Egyptian); June 7, 1:30 pm (Kirkland); June 13, 1:30 pm (Egyptian)

Prodigal Sons [siff] : Kimberly Reed goes back to her hometown in Montana for her high-school reunion and the fact that they all knew her as Paul, the captain of the football team, is actually the smallest of the surprises in this intriguing, intimate look at a family with a history more colorful and complicated than most. Every bombshell dropped is followed by an even bigger one as the film examines the tangled mass of sometimes completely contradictory feelings shared by siblings who both love and resent one another. [zee] June 3, 9:30 pm (Pacific Place); June 6, 11:00 am (Pacific Place)

True Adolescents [siff] : You can tell this movie was made by a local, because for once the local scenery is used not just as a colorful backdrop but as the integral part of the whole that it is. Amiable but shiftless Sam is the lead singer of a band (played by local favorites The Blakes) whom he believes are thisclose to a major label deal. Superstardom awaits, but in the meantime, his had-enough girlfriend has just made him homeless so Sam has take advantage of his aunt’s hospitality, not for the first time. When he gets talked into taking his teenaged cousin Oliver and Oliver’s best friend Jake for a camping trip on the Olympic Peninsula, well, that’s when all the trouble starts and thank goodness for that. [zee] June 4, 9:30 pm (Egyptian); June 6, 1:30 pm (Egyptian)

Katia’s Sister  [siff] : Young teen Lucia is quiet, plain, and very lonely living in a seedy part of Amsterdam with her mother and her beloved older sister. The Russian immigrants hoped for a better life but mom is forced to turn tricks and Katia’s greatest aspiration becomes a gig at the local strip club. Lucia retreats even further into herself, alienating the one person who is nearly a friend to her, as she watches her family fall further and further down into despair. Can she keep her optimism in a world that offers no reward for it? [zee] June 4, 4:30 pm (SIFF Cinema); June 9, 9:30 pm (Egyptian)

Being filmmakers by profession, Huseby and his wife, award-winning director Barbara Ettinger, decided to make a film to awaken and educate the public to this growing menace. A Sea Change begins with a talk with Elizabeth Kolbert, author of “The Darkening Sea”, the article that set the film in motion. A conference at NOAA at Sandpoint introduced the filmmakers to a number of scientists racing to understand and eradication ocean acidification and their work is included in A Sea Change as well.

Too much science talk can be overwhelming for the layperson but Huseby and Ettinger keep it human by illustrating Huseby’s travels around the world showing landscapes and seascapes and images of the ocean underneath its surface. Cinematographer Claudia Rashcke-Robinson’s camera follows as Huseby visits places like fishing villages in Alaska, the Copper River Delta, and the glaciers of Norway in between trips to conferences and labs. He also spends time with his five-year-old grandson, Elias, and their charming conversations add a welcome note of lightness to this dark tale. It’s for the sake of Elias and his siblings and cousins that Huseby and Ettinger are so driven to get the story of ocean acidification out there.

The experts who appear in this film are blunt: “Are we screwed?” – “Yes,” replies Dr. Edward L. Miles from UW. But there’s still some hope.

Says Huseby: “We made the film to build broader awareness of the ocean acidification issue. We want the audience leaving the theater wanting to know more. Wanting to understand better the broader effects of anthropogenic CO2. We want people to conclude that we have to act if we want a sustainable world for future generations? We want people to focus in on the world their grandchildren will inherit.

“I believe that there is still time to slow down CO2 output, to stabilize it and over time to reverse it. We have to build the political will to go there. We have the financial and technical resources to make it happen. It is all about bringing the political leadership on board.”

“[People wanting change] can talk to friends, to neighbors, to politicians, to the press about ocean acidification. Most importantly right now they can contact their Congressional leaders and demand that we play a leadership role for cutting CO2 at COP-15 in Copenhagen in December.”

A Sea Change screens tonight at 7:00 pm at the Egyptian Theater and tomorrow at Kirkland Performance Center at 4:00 pm. Ettinger and Huseby are expected to be at both screenings; tonight’s screening features a panel of experts, advocates and critics talking about the issues this film raises.

“

the hurt locker; courtesy SIFF

SIFF enters its second weekend; so don’t let the weather keep you away from the cool air conditioned comforts of catching a film or five. In addition to second screenings from some of this week’s weekday recommendations [mb], there’s an embedded weekend festival of short films [siff], and a few more suggestions to keep you busy at the theaters. Let us know if you’ve run into any unmissables!

Shortsfest Opening Night [siff] : A weekend of shorts programs kicks off with a varied collection of short films ranging from the very serious to the very light-hearted; of particular “note” is a short about an office romance enabled by the very creative use of sticky notes. [zee] May 29, 7:00 pm (SIFF Cinema); June 2, 9:15 pm (Egyptian) [June 2 screening includes Jury Award-winning films]

Hansel & Gretel [siff] : If you’ve been following Media Babe’s annual chronicle of extreme SIFF-ing, you’ll know that this one has gotten her most enthusiastic (OMG! SEE THIS MOVIE! SEE IT! SEE IT! SEE IT! ) endorsement for those who “like dark fantasy, seriously messed-up magic realism, surrealistic, creepytastic, visual whirlwind movies” [lj]. That kind of excitement makes me think that checking out this South Korean take on the familiar fable might be worth checking out. [josh] May 29, 3:30 pm (Egyptian); June 7, 9:30 (Admiral).

Miao Miao [siff] : Quiet Japanese exchange student Miao Miao doesn’t know anyone in Taipei until outgoing fellow student Ai befriends her on a whim. As the two grow closer and closer together, Ai starts developing feelings for her friend that are more than platonic even as she dutifully helps Miao Miao pursue her own crush on a CD store owner who hides his own romantic tragedy behind a blank face and headphones that play no music. All the while Ai fights with the father who only wants to be closer to her and Miao Miao takes calls from her elderly grandmother whose Alzheimer’s has her reliving her own first love as if it were hapening now. A sweet, warm-hearted, and thoughtful look at friendship, family, young love, heartbreak and hopefulness set against a lively urban backdrop. [zee] May 29, 4:30 pm (SIFF Cinema); June 2, 7:00 pm (Egyptian)

Pirate for the Sea [siff] : Pirates have gotten a lot less loveable since this spring’s Somali incidents. Luckily, this film features Paul Watson, whose plundering seeks to protect the environment and animals instead of commandeering oil or doubloons. Found too extreme by Greenpeace, this Friday Harbor-based captain’s efforts with Sea Shepherd Society were featured as part of 2007’s memorable Sharkwater (about another eccentric yet dedicated activist). This film follows his actions, trials, imprisonment in service of saving the endangered oceans. [josh] May 29, 6:45 pm (Egyptian); May 30, 11 am (Egyptian).

Food, Inc. [siff] : We all know that processed food is bad for you, but just HOW bad, many of us have no clue. Robert Kenner’s documentary about Big Food posits an industry that gets away with actual murder, putting profits before people, and engaging in unhealthy, unwholesome practices all with a nudge and wink from the very government agencies charged with protecting the consumer. May change your eating habits for good. [zee] May 30, 4:15 pm (Egyptian); May 31 7:00 pm (Egyptian)

City of Borders [siff] : A documentary set in a Jereusalem gay bar and the stories of the surprising characters who convene there. May 29, 4:30 pm (Egyptian); May 30, 1:30 pm (Egyptian) [josh]

The Hurt Locker [siff] : A second chance to catch this taught story of a bomb squad detail in Iraq and the nail-biting suspense entailed with the diffusion of the improvised explosive devices that have become the deadly threat of the ongoing war. [josh] May 30, 4 pm (Uptown)

Egon & Donci : [siff] : Amateur scientist Egon and his spirited, human-like cat Donci are created in broad comic strokes, but many of the visuals in this computer-animated cartoon from Hungary are so rich and finely-wrought that they appear to be images of real scenery. Eschewing dialogue (with the exception of a scattered handful of vocalizations), director Adam Magyar manages to convincingly portray Egon & Donci’s epic trip through space from their home planet to Earth inspired by their discovery of the wreckage of Voyager 3. Whimsical and entertaining though a few minutes shaved off its 75-minute running time might have kept a few scenes from dragging on a bit longer than necessary. [zee] May 31, 11:00 am (Pacific Place); June 5, 11:00 am (Pacific Place)

Cloud 9 [siff] : the main thing that you need to know about this is that it is definitely not the same film as Neill Blomkamp’s District 9, which is about aliens in South Africa, not horny old Germans. [josh] May 31, 11 am (Uptown); June 2, 7:00 pm (Uptown).

Yes, I Can See Dead People: [siff] : this midnight adrenaline entry looks kind of like the action adventure version of Miles’s (from Lost) life. Luckily, those seeking Asian horror ghostbusting can catch more school-night friendly screenings next week. But screaming just seems to make more sense in the dead of night with other wannabe insomniacs. [josh] May 30, Midnight (Egyptian); June 2, 2009 9:30 PM (Uptown); June 5, 9:45 (Admiral).