NWFF screens Francois Truffaut’s Mississippi Mermaid, starring Jean-Paul Belmondo and a cooly lovely Catherine Deneuve in a black-hearted thriller based on a Cornell Woolrich story, inspired by Alfred Hitchcock, and dedicated to Jean Renoir. One of the best French noirs, excellently crafted and thoroughly gripping.
Also at NWFF: Jean-Luc Godard’s film essay of young militants gathered “to discuss, and ultimately deconstruct, the oppressive connection between language and capitalism”, Le Gai Savoir. Less obscure is Objectified, a bright, gorgeous examination of the design that goes into making every made object there is, examining creation, economics and environmentalism.
The Grand Illusion screens the brilliantly psychedelic wonder 200 Motels, Frank Zappa’s funny, satiric, and very, very trippy 1971 film about music, pop culture and the state of the world. This is the Seattle premiere of a brand new 35mm print so it should be looking extra colorful and crazed.
Kung fu movie fans, you do not want to miss out on Central Cinema‘s Street Fighter Kung Fu marathon, screening no less than 3 original Kung Fu features back to back in an extravaganza of ridiculous plots, bad dialogue, cheap production values and total, complete, 100 percent awesomeness.
The City of Lost Children is surreal, dark, and twisted, a mad fairy tale designed to disorient. See it midnight at the Egyptian, but don’t be shocked when you have really weird dreams afterwards.
It seems like forever since SIFF Cinema has screened a film but after their summer break they’re gearing up for Bumbershoot and beyond. This weekend the theater plays host to The Skateboard Film Festival, two days of films and events to celebrate skateboarding and skateboard filmmaking. Tonight check out a series of shorts followed by the local premier of Scott Yamamura’s A Day at the Park. Saturday’s got a number of excellent film programs based on themes like “Beyond Borders” and “Viva La France” and wraps up with a full length film about the famous/infamous Skatopia.