The Children’s Film Festival kicks off at Northwest Film Forum on Friday and runs through February 1 featuring live music and jump roping at the Saturday morning pancake breakfast that precedes the short films smorgasbord, Sunday’s presentation of The Adventures of Prince Achmed (the oldest surviving animated film) with a CD release party for the film’s brand new score by Miles and Karina, and a wonderful variety of shorts, features, documentaries, and animated films from all over the world.
Speaking of children’s films, SIFF continues their Films4Families Saturday morning series with a screening of The 7th Voyage of Sinbad, the exciting adventure film that features legendary special effects creator Ray Harryhausen’s still stunning stop motion animation. When I was a kid way back in the 1970s I went to every revival screening of this film I could; all these decades later as an adult I still find the story enthralling and the creatures impressively believable. Since contemporary kids routinely see more technologically advanced fx than even Harryhausen himself could have imagined you could take yours to see The 7th Voyage of Sinbad as an entertaining lesson in movie making history but don’t be surprised when they forget about the lesson part and focus on the entertainment.
Also continuing at SIFF: their French Crime Wave series which features this week gangster flick Bob Le Flambeur, twisted thriller Diabolique, darkly comic Coup de Torchon. (Series continues through Thursday, see SIFF’s site for schedule and details.)
ITVS Community Cinema presents a free screening at SIFF Cinema on Saturday the 24th at 3:15 pm of the new documentary Tulia, Texax, a thoughtful examination of the injustice wrought on the people of the titular town when narcotics agent Tom Coleman was hired to work undercover in a drug sting. In an eerie paralell to the infamous “Wenatchee Sex Ring” troubles in our own state, questions were raised about the lawman and his methodology involving in making cases against 46 accused drug dealers–39 of whom were African American–and citizens of Tulia were forced to confront the prejudice and hysteria in their community as lawyers fought to clear the names of the unfairly victimized. Harry Williams of ACLU of Washington was one of those lawyers; he will be on hand at the screening to talk about the issues raised in the film along with ACLU of Washington’s Drug Policy Director Alison Holcomb and Jacque Larrainzair, Policy & Outreach Director of the Seattle Office for Civil Rights.
One of the most beautiful stories ever put on film, Jean Cocteau’s 1946 retelling of the Beauty and the Beast fairy tale is a lavish romance in which beautiful Belle’s pure heart triumphs over greed, treachery, and deceit to transform a fearsome Beast into a magnificent prince all through the power of true love. At the Grand Illusion.
Late night at the Grand Illusion: Stunt Rock, the invented adventures of real life Australian stuntman Grant Paige intercutting intense stunt montages with stage shows by a band called Sorcery in a ” bizarre spectacle of pyrotechnics, wizards, impalements, magic and metal.”
The late Eartha Kitt was sultry, sexy and sensational both on-screen and off. Central Cinema pays tribute to Ms. Kitt by screening one of her hottest films, Anna Lucasta in which she burns up the screen as a girl whose family rejects her for taking her pleasure in dancing and drinking but then try to reel her back in to marry her off to a rich man.
Midnight at the Egyptian: The Matrix starring Keanu Reeves, Laurence Fishburne, Carrie Anne Moss, Hugo Weaving, a whole ton of CGI and a complicated technological conspiracy plot that’s more than a little difficult to fully comprehend.
This week only at the Varsity: Wendy and Lucy, about a woman (Michelle Williams) whose car and life both break down on the road in Oregon. Also notable at the Varsity is the hold-over of the “roadshow” presentation of Steven Soderbergh’s Che — a two film, four-plus hour account of Che Guevara’s time in Cuba and Bolivia. Benicio Del Toro portrays the revolutionary, and while the first half is a little bit more fun to watch (whether you agree with his motivations or tactics, watching a hardscrabble success is more palatable than the slow slog toward execution and failure), enduring both films in sequence adds something to the experience. There are no credits or trailers and a fifteen minute intervention, so arrive on time and plan accordingly.
On Monday: The Paramount and Trader Joe’s conclude their current highly-excellent Silent Movie Monday series with The Golem, actor and director Paul Wegener’s 1920 film based upon ancient Jewish legend. Here the man-made creature is brought to life by a medieval rabbi in Prague hoping to save his congregation after the emperor orders all Jews to leave the city. The movie’s live soundtrack is provided by Mark Goldstein along with Dennis James on the Wurlitzer and follows a pre-film lecture by Town Hall’s Spider Kedelsky and AJC Seattle Jewish Film Festival director Pamela Lavitt.